The implications for composition studies is quite simple: listening has almost ceased to be theorized or taught as rhetorical strategy. …I want to suggest that rhetorical listening may be imagined, generally, as a trope for interpretive intervention, one on equal footing with the tropes of reading and writing and speaking.
– Krista Ratcliffe, “Rhetorical Listening: A Trope for Interpretive Invention and a “Code of Cross-Cultural Conflict” (p. 196) (emphasis mine)
This blog took too long to write, but practicing patience with myself is necessary.
In an age where we have heightened awareness for intersectionality, there also is a need for us to improve our listening. The very recent and controversial US General Election, for me, is a prime example of what it means for both political representatives and the voting population to rhetorically listen and what interpretive speaking means. Continue reading